> ## Documentation Index > Fetch the complete documentation index at: https://docs.wrldwide.ai/llms.txt > Use this file to discover all available pages before exploring further. # 电影工作室 > 真实光学物理的专业 AI 视频制作 # Cinema Studio Stop prompting, start directing. Cinema Studio brings professional cinematography controls to AI video generation with **12 cinema lenses**, **focal length control**, **aperture settings**, and **6-axis camera movements**. ## 概览 Cinema Studio uses the **Kling 2.6 video model** with advanced optical controls that simulate real-world camera equipment and movements. Instead of relying solely on text prompts, you get precise control over lens characteristics, depth of field, and camera motion. ## Cinema Lenses Choose from **12 professional cinema lenses** across two categories (spherical and anamorphic): ### Spherical Lenses (8 options) Professional spherical lenses for natural, cinematic looks: * **Lensbaby** — Creative tilt-shift effect with soft focus * **Laowa Macro** — Ultra-sharp macro lens with minimal distortion * **Canon K-35** — Vintage cinema lens with warm color rendition * **ARRI Signature Prime** — Modern cinema lens with exceptional sharpness * **Cooke S4** — Classic cinema lens with natural skin tones * **Petzval** — Vintage lens with swirly bokeh and vignetting * **Helios** — Soviet-era lens with distinctive swirly bokeh * **Zeiss Ultra Prime** — High-end cinema lens with clinical sharpness ### Anamorphic Lenses (3 options) Widescreen cinematic lenses with distinctive characteristics: * **JDC Xtal Xpress** — Compact anamorphic with modern flare characteristics * **Panavision C-Series** — Classic Hollywood anamorphic with blue flares * **Hawk V-Lite** — Premium anamorphic with oval bokeh and warm flares Each lens brings unique optical characteristics, bokeh rendering, and color science to your generated videos. ## Optical Controls ### Focal Length Control the field of view and perspective: * **Auto** — Model selects optimal focal length * **8mm** — Ultra-wide angle, extreme perspective distortion * **14mm** — Wide angle, dramatic perspective * **35mm** — Standard wide, natural perspective * **50mm** — Normal lens, minimal distortion ### Aperture (f-stop) Control depth of field and exposure: * **Auto** — Model selects based on scene * **f/1.4** — Very wide aperture, shallow depth of field, creamy bokeh * **f/4** — Medium aperture, balanced depth of field * **f/11** — Narrow aperture, deep depth of field, everything in focus **Lower f-numbers** = shallower depth of field (blurrier background) **Higher f-numbers** = deeper depth of field (more in focus) ## Camera Movements Control camera motion with **6-axis sliders** (range: -10 to +10): ### Horizontal Movement Move camera left/right (dolly/truck) * Negative values: move left * Positive values: move right ### Vertical Movement Move camera up/down (boom/pedestal) * Negative values: move down * Positive values: move up ### Pan Rotate camera left/right on horizontal axis * Negative values: pan left * Positive values: pan right ### Tilt Rotate camera up/down on vertical axis * Negative values: tilt down * Positive values: tilt up ### Zoom Move camera forward/backward (dolly in/out) * Negative values: zoom out / dolly back * Positive values: zoom in / dolly forward ### Roll Rotate camera on longitudinal axis (Dutch angle) * Negative values: roll counterclockwise * Positive values: roll clockwise ### Static Mode Toggle **Static** to lock camera in place (no movement). ## 使用方法 ### Basic Workflow 1. **Go to `/cinema-studio`** 2. **(Optional) Upload Reference Image** * Drag & drop or click to browse * Switches from text-to-video to image-to-video mode 3. **Select Cinema Lens** * Choose spherical or anamorphic * Read lens description for optical character 4. **Set Optical Parameters** * Focal length (14mm - 135mm or Auto) * Aperture (f/1.4 - f/11 or Auto) 5. **Configure Camera Movements** * Toggle Static for locked camera * Or adjust 6 axes for dynamic motion 6. **Write Prompt** (optional but recommended) * Describe the scene, action, mood 7. **Click Generate** ### Example Setups **Cinematic Product Reveal** * Lens: ARRI Signature Prime * Focal Length: 50mm * Aperture: f/4 * Camera: Slow horizontal dolly (H: +2), static otherwise **Dramatic Fashion Shot** * Lens: Hawk V-Lite (Anamorphic) * Focal Length: 50mm * Aperture: f/1.4 * Camera: Slow vertical boom (V: +3), slight zoom in (Zoom: +1) **Wide Landscape Scene** * Lens: Zeiss Ultra Prime * Focal Length: 14mm * Aperture: f/11 * Camera: Pan right (Pan: +5), static otherwise **Vintage Commercial Look** * Lens: Canon K-35 * Focal Length: 35mm * Aperture: f/4 * Camera: Circular motion (H: +3, Pan: -4, Tilt: +2) ## Text-to-Video vs Image-to-Video ### Text-to-Video Generate video from prompt only — model creates the entire scene. **Best for:** * Conceptual scenes * Imaginary environments * Creative freedom ### Image-to-Video Upload reference image — model animates it with your cinema controls. **Best for:** * Animating product photos * Specific art direction * Consistent look across shots ## Model & Pricing **Model:** Kling 2.6 (Text-to-Video or Image-to-Video) **Duration:** 5s or 10s **Credits:** * 5s: 8 credits * 10s: 16 credits **Speed:** 3-5 minutes **Aspect Ratios:** 1:1, 16:9, 9:16 **Audio:** Toggle on/off ## Combining with Other Features Cinema Studio works great in workflows: ``` [Reference Image] → [Cinema Studio] → [Video Upscale] → [Export] ``` Or for batch production: ``` [Product Photos] → [Cinema Studio (batch)] → [Lip Sync] → [Export] ``` ## Professional Tips ### Lens Selection * **Spherical** for clean, modern commercials * **Anamorphic** for cinematic, widescreen storytelling * **Vintage lenses (Canon K-35, Petzval, Helios)** for retro aesthetics with swirly bokeh * **Modern lenses (ARRI Signature Prime, Zeiss Ultra Prime)** for sharp, clinical looks * **Creative lenses (Lensbaby, Laowa Macro)** for unique perspectives ### Focal Length Strategy * **Ultra-wide (8mm)** — Extreme perspective, dramatic distortion * **Wide (14mm)** — Establish environment, show space * **Standard (35mm)** — Natural perspective, versatile * **Normal (50mm)** — Human eye view, minimal distortion ### Aperture Strategy * **f/1.4** — Maximum bokeh, creamy separation, shallow depth of field * **f/4** — Balanced depth, professional standard * **f/11** — Deep focus, everything sharp ### Camera Movement * **Subtle is better** — Keep values -3 to +3 for natural motion * **Combine axes** — Real cameras use multiple movements * **Match speed to mood** — Slow = dramatic, fast = energetic ### Prompting Best Practices Even with cinema controls, good prompts help: ``` [Subject/Action] + [Lighting] + [Mood/Style] ``` Example: ``` Luxury watch on marble pedestal, dramatic side lighting, high-contrast shadows, premium aesthetic ``` ## 故障排除 **Motion is too fast/jerky:** * Reduce camera slider values (keep -3 to +3 range) * Try Static mode for locked camera * Increase duration to 10s for smoother motion **Depth of field not visible:** * Use lower aperture (f/1.4) * Use wider focal length with closer subject * Ensure subject separation from background **Lens character not noticeable:** * Some lenses are subtle — try extreme options (Canon K-35, Petzval, Helios for swirly bokeh) * Combine with wide aperture (f/1.4 for maximum lens character) * Use in image-to-video mode for more control ## 下一步 Transfer motion from reference videos Explore all video models Creative motion categories Specialized product videos